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This is the part of the ring range where the hand work is heaviest. Engraving is cut into the shoulders rather than moulded in, enamel is filled into a single initial by hand, and Solomon's seal patterns run right around the band instead of sitting on a flat top plate. The metal is 925 sterling silver, an alloy of 92.5 per cent silver with copper, hard enough to hold a crisp engraved line at the edges.
Stones vary more here than elsewhere: deep blue lapis lazuli, banded agate paired with green zircon, pearl, and cubic zirconia set as small accents around a centre stone. Shapes range from a zihgir, the broad archer's thumb ring, to quiet modern bands with one clean bezel.
Mostly time at the bench. An engraved surface is cut line by line, so two rings of one design are never quite identical, and the shank is left thicker to give the graver something to bite into. That extra weight is usually the first thing noticed when the ring goes on.
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